dinsdag 24 mei 2011

[L257.Ebook] PDF Download Anna: Core Curriculum for Nephrology Nursing

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ANNA is committed to professional development and patient care. ANNA seeks continually to provide the nephrology nursing community with high quality resources.

  • Sales Rank: #4191950 in Books
  • Published on: 2001
  • Binding: Hardcover

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vrijdag 20 mei 2011

[J924.Ebook] Ebook Trance Poetics: Your Writing Mind, by Kristin Prevallet

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Access heightened states of language and consciousness to enliven and expand your creative process.
"Trance Poetics poses neurological frameworks for entering such mysterious realms as divine inspiration, epiphany, metaphor, free association and automatic writing. As Prevallet takes the reader on a wild brain-mapping adventure, she continuously traces a history of language that reifies the power of poetic intelligence." - Marissa Perel
"Trance Poetics is a magnificent guide to hidden sources of linguistic happiness. Kristin Prevallet gives inspiring, practical advice on how to invigorate one's creative practice, and how to rediscover the delight of unfettered play. This book--a magical toolkit--has the power to reawaken dormant verbal resources in all of us. Rapture and gratitude are logical responses to the gift that Trance Poetics bestows on its lucky readers." - Wayne Koestenbaum 
 Drawing from the fields of clinical hypnosis, neuroscience, energy psychology, and poetics TRANCE POETICS: YOUR WRITING MIND will stimulate your creative and intellectual processes and give you new ways to access the images, memories, feelings, and language that lie beneath the surface of your conscious awareness. A guide into the world of poetry, language, and consciousness this book will bring a freshness and authenticity to your writing process.
"Is there a more important -- or more necessary -- vocation for poets today than showing others a way to process for themselves the epiphanic possibilities of our beautiful, difficult existence? To experience these beautiful difficulties, as Kristin suggests in these pages, in ways that reconfigure one's most deeply-held beliefs regarding self and world? Trance Poetics: Your Writing Mind is more than just a navigational tool for poets; it is handbook of epiphanic possibilities for absolutely everyone interested in living fully alive."  - Sharon Mesmer

  • Sales Rank: #1781545 in Books
  • Published on: 2013-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .26" w x 5.00" l, .25 pounds
  • Binding: Paperback
  • 112 pages

About the Author
Kristin Prevallet is a consulting hypnotist certified through the National Guild of Hypnotists and an Integral Life Coach certified through the International Association of Counselors and Therapists. She received a M.A. in Humanities through the University of Buffalo and has received residencies and awards from the New York Foundation for the Arts, PEN America, the Poetry Society of America, George Mason University, and Spalding University. She currently directs the Center for Mindbody Studies where she leads workshops and works with private clients. Her writings on poetics and consciousness have appeared in a variety of publications including Spoon River Review, The Chicago Review, Fourth Genre, and Reality Sandwich; she is the author of four books including You, Resourceful: Return To Who You Want To Be, I, Afterlife: Essay in Mourning Time and most recently, Everywhere Here and in Brooklyn: A Four Quartets. Follow her blog: http://www.trancepoetics.com Correspond: kristin@mindbodystudies.com

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great book, even for seasoned poets
By Dennis Etzel Jr.
This is a fantastic book, written by a poetic practitioner for sure! I admire Prevallet's poetry, and this work is a fantastic complement to it. For those interested in mystical traditions, neuroscience, or how to move past those "writer's blocks," Prevallet has done the practice and research around these fields of study. I am in awe of her examination of the body, language, neurology, history, poetic and religious traditions, memoir, and biofeedback--and how they relate writing to life, to open up creativity and "write without self-judgement." As practical as it is scholarly, I personally can vouch for this book. As a conceptual writer, this book helped me to reconnect with my lyric roots with the "Automatic Writing Process" section and other creative inspirations this book evokes. Really, stay away from those "how-to" books and give this one a try. This is the real deal.

1 of 1 people found the following review helpful.
A unique approach to the creative process
By Claudia Reder
I found this book only because Brenda Hillman mentioned it in an article I read online. This short book not only goes into the creative process, but is creatively written, ventures into how to communicate with someone who has Alzheimer's- and shows how verbally creative humans are. If you are teaching a writing workshop, look for this book. It discusses "the dreaming arm" and how freeing that arm is essential to writing. This book may help you understand the well known sentence, "I don't know what I want to say until I write it."

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donderdag 19 mei 2011

[Z758.Ebook] Download Applied Bioelectricity: From Electrical Stimulation to Electropathology, by J. Patrick Reilly

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Electric currents and electromagnetic fields have been applied to biological systems, particularly humans, with both therapeutic and pathological results. This text discusses biological responses to electric currents and electromagnetic fields, including medical applications and shock hazards. It covers fundamental physical and engineering principles of responses to short-term electrical exposure and emphasises human reactions, although animal responses are considered as well, and the treatment covers reactions from the just-detectable to the clearly detrimental. An important new chapter discusses standards for human exposure to electromagnetic fields and electric current and demonstrates how these standards have been developed using the principles treated in earlier chapters.

  • Sales Rank: #2930693 in eBooks
  • Published on: 1998-08-21
  • Released on: 1998-08-21
  • Format: Kindle eBook

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1 of 2 people found the following review helpful.
Good purchase
By Dr. Christopher J. Andrews
Am happy with this book. It is a highly useful and comprehensive compendium, and a must-have for the library shelf. Arrived in good condition, and is highly usable. As a side issue, I noted that there was a name written in the front cover - T Bernstein. This will be highly prized by me.

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dinsdag 10 mei 2011

[R264.Ebook] Download PDF Educating for Character: How Our Schools Can Teach Respect and Responsibility

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  • Sales Rank: #4153130 in Books
  • Published on: 1600
  • Binding: Paperback

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zondag 8 mei 2011

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The latest installment in Brills A New History of the Sermon series offers innovative studies of sacred rhetoric in the nineteenth century. The three sectionsTheory and Theology, Sermon and Society in the British Empire, and Sermon and Society in Americacontain a total of sixteen essays on such topics as biblical criticism, Charles Darwin, the Oxford Movement, the Womans Christian Temperance Union (WCTU), English Catholicism, sermon-novels, and the slave trade on both sides of the Atlantic. Multiple traditions are represented, including the Anglican and Presbyterian churches, English nonconformity, Judaism, and the Church of Jesus Christ of Latter-day Saints, making this a compilation that will appeal to a wide range of preachers, historians, literary scholars, and students of the rhetorical tradition.Contributors are Miriam Elizabeth Burstein, Thomas J. Carmody, Dawn Coleman, Robert H. Ellison, Joseph Evans, Keith A. Francis, Brian Jackson, Dorothy Lander, Thomas H. Olbricht, Carol Poster, Mirela Saim, Jessica Sheetz-Nguyen, Bob Tennant, David M. Timmerman, Tamara S. Wagner, and John Wolffe.

  • Sales Rank: #5797382 in Books
  • Brand: Brand: BRILL
  • Published on: 2010-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.40" w x 6.60" l, 2.42 pounds
  • Binding: Hardcover
  • 574 pages
Features
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Review
."..For readers who are seeking a collection of serious, substantial studies across a wide array of topics that are essential to any learned approach to understanding the importance of preaching in the English-speaking world of the nineteenth century, this text may be indispensable..." William B. Lawrence, "Church History", vol. 82, issue 02, June 2013, pp. 472-474 ."..We can hope that the Victorian sermon will be taken up with increasing interest by both literary scholars and historians. "A New History of the Sermon" is a vital, exciting, and rigorous contribution to this emerging field of study." Timothy Larsen, "Victorian Studies", vol. 54, no. 1, Autumn 2011 ."..While Ellison's interest in rhetoric may seem to make this collection of greatest interest to literary scholars, any historian of nineteenth-century Anglo-American religion should be able to find something useful here." Bethany Kilcrease, "Anglican and Episcopal History", December 1, 2011 ."..This new volume...is a work of considerable significance for Victorianists, for while the Victorian practice of religion has long been considered a major element of nineteenth-century culture, it has not drawn fitting attention in this more secular age..." Margaret Markwick, "Review 19", 2011-08-15 (http: //test.nbol-19.org/view_doc.php?index=181)

."..The editor, Robert H. Ellison, who is himself the leading authority in this field, has clearly worked hard to include material beyond the predictable path of evangelical revivalists and Protestant city pulpits, including at least one and sometimes two chapters each on Mormons, Catholics, African Americans, and Jews..." Timothy Larsen, "Christianity Today, Books & Culture", March/April 2014 ."..For readers who are seeking a collection of serious, substantial studies across a wide array of topics that are essential to any learned approach to understanding the importance of preaching in the English-speaking world of the nineteenth century, this text may be indispensable..." William B. Lawrence, "Church History", vol. 82, issue 02, June 2013, pp. 472-474 ."..We can hope that the Victorian sermon will be taken up with increasing interest by both literary scholars and historians. "A New History of the Sermon" is a vital, exciting, and rigorous contribution to this emerging field of study." Timothy Larsen, "Victorian Studies", vol. 54, no. 1, Autumn 2011 ."..While Ellison's interest in rhetoric may seem to make this collection of greatest interest to literary scholars, any historian of nineteenth-century Anglo-American religion should be able to find something useful here." Bethany Kilcrease, "Anglican and Episcopal History", December 1, 2011 ."..This new volume...is a work of considerable significance for Victorianists, for while the Victorian practice of religion has long been considered a major element of nineteenth-century culture, it has not drawn fitting attention in this more secular age..." Margaret Markwick, "Review 19", 2011-08-15 (http: //test.nbol-19.org/view_doc.php?index=181)

..".The editor, Robert H. Ellison, who is himself the leading authority in this field, has clearly worked hard to include material beyond the predictable path of evangelical revivalists and Protestant city pulpits, including at least one and sometimes two chapters each on Mormons, Catholics, African Americans, and Jews..." Timothy Larsen, "Christianity Today, Books & Culture," March/April 2014 ..".For readers who are seeking a collection of serious, substantial studies across a wide array of topics that are essential to any learned approach to understanding the importance of preaching in the English-speaking world of the nineteenth century, this text may be indispensable..." William B. Lawrence, "Church History," vol. 82, issue 02, June 2013, pp. 472-474 ..".We can hope that the Victorian sermon will be taken up with increasing interest by both literary scholars and historians. "A New History of the Sermon" is a vital, exciting, and rigorous contribution to this emerging field of study." Timothy Larsen, "Victorian Studies," vol. 54, no. 1, Autumn 2011 ..".While Ellison's interest in rhetoric may seem to make this collection of greatest interest to literary scholars, any historian of nineteenth-century Anglo-American religion should be able to find something useful here." Bethany Kilcrease, "Anglican and Episcopal History," December 1, 2011 ..".This new volume...is a work of considerable significance for Victorianists, for while the Victorian practice of religion has long been considered a major element of nineteenth-century culture, it has not drawn fitting attention in this more secular age..." Margaret Markwick, "Review 19," 2011-08-15 (http: //test.nbol-19.org/view_doc.php?index=181)

About the Author
Robert H. Ellison, Ph.D. (1995) in English, University of North Texas, is a Visiting Assistant Professor of English at Marshall University. He has published on the Oxford Movement and is working on a study of the Victorian lay sermon.

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vrijdag 6 mei 2011

[F331.Ebook] Fee Download Engineering Principles of Ground Modification, by Manfred R. Hausmann

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Engineering Principles of Ground Modification, by Manfred R. Hausmann

  • Sales Rank: #9739083 in Books
  • Published on: 1990-08-01
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 656 pages

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woensdag 4 mei 2011

[B522.Ebook] PDF Ebook Berg: Violin Concerto (Cambridge Music Handbooks), by Anthony Pople

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Berg: Violin Concerto (Cambridge Music Handbooks), by Anthony Pople

Described by Aaron Copland as "among the finest creations of the modern repertoire," Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. The book puts the concerto in its cultural context, provides biographical information on the composers and others associated with the work, gives an accessible guide to the music, and provides scholarly discussion for specialists. The author's ability to combine musical anecdote with scholarly analysis makes this guide compelling reading for amateur and specialist alike.

  • Sales Rank: #2449596 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1991-06-28
  • Released on: 1991-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .31" w x 5.43" l, .40 pounds
  • Binding: Paperback
  • 132 pages
Features
  • Used Book in Good Condition

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4 of 5 people found the following review helpful.
Maybe the single most useful Cambridge Music Handbook yet
By Christopher Culver
Anthony Poole's study of Berg's violin concerto is one of the standouts of the Cambridge Music Handbooks series, exploring every facet of the work and giving a vivid picture of the society in which the book was written. If you love Berg's quirky yet moving masterpiece, or are trying to understand what all the fuss is about, this is a vital book to have. Note, however, that one must also have a copy of the score to fully use this handbook, as Poole makes frequent reference to rehearsal numbers.

Poole's work consists of four parts. In the first, Poole presents the music scene of the 1930s, paying especial attention to the style of allusion used by Stravinsky et al. and the conservatism of Rachmaninoff and even some of Schoenberg's American works. Berg, writes Poole, elegantly balanced between the competing musical philosophies of the time. The second part of the book takes up this theme, showing the breakthroughs Berg made in the works written up to the violin concerto, such as the Three Orchestral Pieces, the "Lyric Suite", and parts of "Lulu".

Yet it is the latter half of the book that will be most fascinating to many readers, getting as they do to the violin concerto itself. In the third part, Poole tracks the composition of the work, explaining how it was partially inspired by the death of Manon Gropius. A big bombshell is that parts of the work are inspired by a bawdy Carinthian folk song; a work often seen as of angelic purity (dedicated as it is "to the memory of an angel") has a rather risque subtext. Poole also mentions Berg's fathering of an illegitimate child by a servant girl in his boyhood home, memories of which, which he says, leave meaningful traces in the work.

The next two chapters form the musicological analysis of the work. Some of it is accessible to everyone. For example, he goes step by step through the various portions of the concerto. The two movements break nicely into two sections each, and each section has several distinct parts of its own. Poole helps the reader follow these developments in a way that greatly enhances appreciation of the concerto. The discussion of tonality in the work, however, supposes some knowledge of music theory, and makes heavy use of Schenkerian/Neo-Schenkerian theory. Poole reveals the work to be much more traditional than is often let on--which, incidentally, vindicates Boulez, who over fifty years ago famously dismissed Berg as too bound by early notions of form and tonality. The final chapter of the work talks about the critical reception that the concerto met.

An admirable handbook, and much more successful than most entries in the CMH series.

9 of 10 people found the following review helpful.
An outstanding guide to a complex piece of music.
By A Customer
This book covers almost everything you could want to know about this concerto, which is difficult but full of powerful emotion. It explains the commission, the performance history, the program, and the tonality. I wish the book had more short musical examples in the program section, but that is a small caveat. The discussion of tonality is much clearer than in the other works I have read on this concerto.

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