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PRINCIPLES OF COMPOSITION IN PHOTOGRAPHY, by Andreas Feininger
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Book by Feininger, Andreas
- Sales Rank: #280103 in Books
- Brand: Brand: American Photographic Book Pub. Co
- Published on: 1972
- Ingredients: Example Ingredients
- Number of items: 1
- Dimensions: 1.25 pounds
- Binding: Hardcover
- 136 pages
- Used Book in Good Condition
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Scott Buzzard
Nice copy in excellent condition.
7 of 7 people found the following review helpful.
More to composition than meets the eye
By whiteheat
A word on expectations here. This book will NOT help you answer the question, "how do I create great (as in real life emotive or iconic style) photographs?" The book does not teach you how to think creatively or help you 'see' what would make a great photograph from the world around you. Neither will it help you with 'art' style photography (creating photographs of anything that would not normally or naturally occur in real life). At least not directly or at first. What it may help you with, is giving you the technical know how or background knowledge to help you create a 'good' photograph once you already have the creative spark or you are already able to 'see' what would make a 'good' photograph. It will help you translate what is in your mind's eye in to a photographic image. The point here is that the book only illustrates enabling principles, not how to be creative or gain a mindset that allows you to be creative.
This is a great book if you want to know what principles are used in photographic composition. The book is written by an old hand at photography, Andreas Feininger, who practiced photography as both a hobby and a profession, so you definitely get the feeling that he knows what he's talking about. The book is now long out of print and the content does occasionally reference film based cameras, equipment and media. None the less, the principles of composition remain the same and as such, the book does outline most, if not all of the principles involved in photographic composition. Feininger also challenges some percieved or widely accepted wisdoms, citing that there are no hard and fast rules to photographic composition, only guidelines, which can be used or discarded as the reader sees fit.
Feininger delivers his message in 'an armchair by the hearth' style chat, which makes it eminently readable even if you have no interest in photography. The author's breadth and depth of experience stand out in an authoritative way without being condescending or high brow about it. The images and visual material he uses to illustrate his ideas, hit the mark on each occasion. As a result, the language, constructs and visual aids used make it very easy to read and gain an understanding of the point being made. This in turn makes it suitable for the novice, enthuiast and professional alike.
The only constructive criticism I have, is that in some of Feininger's explanations as to why any particular composition 'works', there is insufficient explanation or more usually, not enough depth of explanation as to why that particular compositional technique works or does not work, depending on the situation or context. On one or two occasions after having read Feininger's description and explanation of a particular compositional technique, I found myself thinking, "...so say you, but I just don't see it", or "...ok, but why is that so, what is the reason for that?".
In conclusion then, this is a great book purely for learning what composition in photography is all about and outlining what the principles are and what techniques can be used to compose a photograph. It is a little outdated now because it was written in the days of film cameras but this does not detract in any way from the concepts that are put across as photography is still photography, regardless of the media used to capture images. I can recommend this book to anyone who wants a layman's explanation and narrative of photographic compositional principles.
0 of 0 people found the following review helpful.
Another oldy but a goody
By Jim Doty, Jr.
This is going to be like my review of Feininger's other books. He was one of the best photographic writers of his time.
First the bad news. By current standards, the reproduction quality of the photos just doesn't stand up to today's standards. That's just how things were in the 1970s. And there aren't many color images.
That is not a reflection on the images themselves. I am sure many of the originals would be impressive printed with today's high gloss photo book standards. So don't be put off by the reproduction quality.
Now the good news. What makes this book stand out (and any other book you can find by Feininger) is the excellent information. This book has no digital information of course, but photography is still photography. It is all about lighting and composition and dozens of technical and artistic decisions both great and small that make or break an image, whether we are talking about film or digital sensors. In fact, many of the older photography books have a lot more information than a lot of current books. I find gems of wisdom and information in Feininger's books that are hard to come buy in a lot of current books.
This is one of the best "old school" introductions to composition that you can find. After you read and absorb this book, I would suggest you follow up with The Photographer's Eye by Michael Freeman.
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